Being insistent in Japan is considered very rude. This is a clothing store, not a music store.’ So I asked her to call the store manger. I said, ‘Can I buy this?’ and she goes, ‘No, it’s our CD. I asked the counter lady who it was and she goes, ‘That’s the 5.6.7.8.s,’ and shows me the CD. So I took a walk and passed this clothing store, I went in and there’s a cool group of girls singing on the sound system. I was in Japan and getting ready to leave for Australia with, like, two hours before I had to head to the airport. “I Walk Like Jayne Mansfield”, “I’m Blue” and “Woo Hoo” by The 5.6.7.8.s So then I worked the scene out with Uma and it ended up working fantastic, it became very iconic.” “I found the Urge Overkill version of ‘Girl, You’ll Be A Woman Soon’ on an EP in a little record store in Holland, so I picked it up and thought, ‘Wow, that’s a really cool track.’ And it just kept staying with me and staying with me.
“Girl, You’lll Be A Woman Soon” by Urge Overkill I was thinking, ‘Oh my God, this is gonna be awesome!’ “ The first time somebody actually did the torture scene to that song, the guy didn’t even have a great audition, but it was like watching the movie. And a couple people picked another one, but almost everyone came in with ‘Stuck in the Middle With You,’ and they were saying that they tried to come up with something else, but that’s the one. “That was one of those things where I thought would work really well, and auditions, I told the actors that I wanted them to do the torture scene, and I’m gonna use ‘Stuck in the Middle With You,’ but they could pick anything they wanted, they didn’t have to use that song. “Stuck In The Middle With You” by Stealers Wheel
RESERVOIR DOGS TORTURE SCENE MOVIE
“I don’t highlight my obsessions to that degree,” he says, “but it’s pretty big.” So how does a cut make it from his turntable to the big screen? The revered director filled us in on his method through five key movie music cues. Tarantino insists he doesn’t know the exact number of albums that make up his collection, though we’re not sure we believe him. “For instance, in the ’60s section, it would be alphabetical, then broken down into psychedelic, surf music, then British invasion… I have a few artists off to themselves, but hands down the biggest section is soundtracks because I’ve been collecting soundtracks since I was a little boy.” “Everything is in bins and sorted by categories,” Tarantino explained just before a signing held, appropriately enough, at Hollywood’s renowned Amoeba Records. And it’s no wonder - the filmmaker houses a virtual record store just outside his bedroom (vinyl only), which he presides over with High Fidelity-like attention to detail. From Pulp Fiction to Kill Bill to his latest, Inglourious Basterds (opening this weekend), Quentin Tarantino matches scene with song like a sommelier pairs just the right bottle of wine with a nice steak: perfectly.
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